mechanicalSPIRIT

B.T. Franklin's blog

About Ambient Metal

The opposite of discrete music, but not yet approaching the complexity of classical, ambient music creates a harmonic texture and relegates percussion to a background role, letting the phrase lead the change of song structure, key and tempo. An ideal ambient composition takes unchanging rhythm and over it layers phrases, creating harmony from their conjoined effect in the way classical music does, making moods "ad hoc" relative to its starting point. Where discrete music focuses on each piece of a song being a thing unto itself, using a universal set of symbols, ambient music invents symbols specific to each song and as a result gives pieces of a song meaning only when existing in the context of others. In this, selected metal and synthesizer music (synthpop, electronica, ambient) are closer to their classical heritage than the distillation of popular memes that is rock. Not all metal and ambient music fits this description; many artists, figuring that their listening audience would rather have something immediately recognizable and familiar in a "new" form, use rock-styled composition with different instrumentation.

This is an intelligently-written and insightful article, which isn't what I'd expect from a site with a name like that. But then again, expectations are frequently unfair. Be sure to read the entire article by clicking the link. What I've posted is only an excerpt.

Filed under  //   ambient   heavy metal   music   music history  

Value Judgments Based on Handedness

Example of drawings researchers used to test theory on handedness

Researcher Daniel Casasanto found right-handers were more likely to chose the Fribbles on the right as the more intelligent, happy, honest and attractive. Lefties went for the Fribbles on the left.

BY CHRISTINE BLACKMAN

Whether you’re a lefty or righty, chances are you never thought your dominant hand played a role in the decisions you make. But what may seem as an unimportant trait might actually influence everything from what cereal you buy to whom you vote for, according to a study by Daniel Casasanto, who conducted the research as a postdoctoral scholar in psychology at Stanford.

The way we interact with the physical world affects our judgments, Casasanto said.  Because people with different body types interact with the world different ways, they also make different judgments.  For example, a colorblind person will think differently about a shiny red apple than someone with perfect vision. In a similar way, righties and lefties think differently about what’s in front of them.

After testing both righties and lefties in five experiments, Casasanto – now at the Max Planck Institute for Psycholinguistics – found that righties tend to judge objects on their right side as positive and objects on their left side as negative. Lefties do the opposite, pairing positive things with their left side and negative things with their right.

That association could apply in situations ranging from whether we choose one brand of cereal over another simply because of its spot on a grocery store shelf to whom we might identify as a criminal suspect because of their position in a police lineup.

“We have this illusion that we base our decisions largely on relevant and sufficient information, yet social psychology over the past decades has shown us that there are lots of other factors that shape our judgments. And they shape our judgments more than we’re aware of,” Casasanto said.

Fun with Fribbles

In one test, 286 students were shown pairs of fictional alien figures called Fribbles, odd animal-like creatures with squiggly appendages. The students were shown two groups of Fribbles, one group on the right side and the other on the left.

Right-handed students were more likely to view the Fribbles on the right side as intelligent, happy, honest and attractive. Lefties judged Fribbles on the left more favorably.

Each of the study’s five experiments showed that students were more likely to associate positive ideas with their dominant side and negative ideas with their less dominant side.

The results challenge the implications of common phrases that people use in a world set up for righties, such as “my right-hand man” or “two left feet” that imply right is good and left is bad. “For left-handed people, implicitly, they think good stuff is on the left and bad stuff is on the right, even though consciously, explicitly, everything in language and culture is telling them the exact opposite,” he said.

Handedness and politics

People show handedness preference in their actions even without knowing it, Casasanto said. He analyzed all the speech and gestures from the 2004 and 2008 presidential election debates, noting which hand each politician used to gesture when speaking of something positive or negative.

“Righties are more likely compared to lefties to gesture with their right hand when they’re talking about good stuff and lefties to gesture with their left hand when they’re talking about good stuff,” he said. Casasanto and his team are still studying how this might influence the votes of viewers.

Whether or not politicians’ gestures win or lose them votes, Casasanto’s study implies that where a candidate’s name is placed on a ballot could matter. Some states, for example, arrange candidates for the same office opposite each other in a left-right arrangement. So it’s possible that a left-handed voter who doesn’t have much information or a strong opinion on the candidates may be more inclined to pick whoever’s name happens to be on the left side of the ballot, Casasanto said.

“Knowing about this body specific, left-right preference could help us to create ballots that give a more accurate measure of popular sentiment and are free of the biases created by the arrangement of names on the ballots themselves,” Casasanto said.

Better learning for lefties

Another possible benefit of understanding how physical experiences influence our preferences could be an improved education system.

“If righties write the textbook and create the exercises and set up the classrooms, they’re likely to arrange things according to this implicit ‘right is good’ preference,” Casasanto said. “Maybe that’s going to make learning math or going to school and sitting in the classroom just a little bit less pleasant or more disconcerting for lefties. Potentially, sensitivity to this could create better learning environments for lefties.”

Casasanto’s paper is in the August edition of Journal of Experimental Psychology: General.

Christine Blackman is a science-writing intern for the Stanford News Service.

This is really interesting, and surprising! That human beings' thought processes relating to quality would be impacted so strongly by what seem to be nothing more than physical tendencies has major implications.

Filed under  //   handedness   science   value judgments  

Music as a Map: Songlines

Songlines, also called Dreaming tracks by Indigenous Australians within the animist indigenous belief system, are paths across the land (or, sometimes the sky[1]) which mark the route followed by localised 'creator-beings' during the Dreaming. The paths of the songlines are recorded in traditional songs, stories, dance, and painting.

A knowledgeable person is able to navigate across the land by repeating the words of the song, which describe the location of landmarks, waterholes, and other natural phenomena. In some cases, the path of the creator-beings are said to be evident from their marks, or petrosomatoglyphs, on the land, such as large depressions in the land which are said to be their footprints.

By singing the songs in the appropriate sequence, Indigenous people could navigate vast distances, often travelling through the deserts of Australia's interior. The continent of Australia contains an extensive system of songlines, some of which are of a few kilometres, whilst others traverse hundreds of kilometres through lands of many different Indigenous peoples — peoples who may speak markedly different languages and have different cultural traditions.

Since a songline can span the lands of several different language groups, different parts of the song are said to be in those different languages. Languages are not a barrier because the melodic contour of the song describes the nature of the land over which the song passes. The rhythm is what is crucial to understanding the song. Listening to the song of the land is the same as walking on this songline and observing the land.

In some cases, a songline has a particular direction, and walking the wrong way along a songline may be a sacrilegious act (e.g. climbing up Uluru where the correct direction is down). Traditional Aboriginal people regard all land as sacred, and the songs must be continually sung to keep the land "alive".

Molyneaux & Vitebsky (2000, p. 30) note that the Dreaming Spirits "also deposited the spirits of unborn children and determined the forms of human society," thereby establishing tribal law and totemic paradigms.

This is one of the most incredible concepts I've heard about recently. The notion that music was used, literally, as a type of map for navigating across the massive continent of Australia is inspiring and mind-boggling! It is one of the most impressive examples I've seen of the underlying power and importance of music.

Filed under  //   Australia   Dreamtime   music   music culture  

Month of Music - Day 31

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

This is the final entry, and represents my successful completion of this project. Thanks so much to everybody who has been supportive of my efforts! Please share the playlist link with your friends!

Filed under  //   composing   found instruments   kitchen music   month of music   music  

Month of Music - Day 30

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

Special thanks on this entry goes to my friends (and musical powerhouses) Nicholas DiBiase and Krystofer James VanSlyke! You guys rule!

Filed under  //   automobile interior   bamboo flute   bongos   composing   flute   guitar   month of music   music   shakuhachi  

Month of Music - Day 29

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

Filed under  //   GarageBand   composing   electronica   keyboard   month of music   music   techno  

Month of Music - Day 28

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

Filed under  //   bamboo flute   composing   flute   month of music   music   shakuhachi  

Month of Music - Day 27

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

Filed under  //   GarageBand   composing   heavy metal   month of music   mountain dulcimer   music  

Month of Music - Day 26

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

Filed under  //   bamboo flute   composing   flute   month of music   music   quena  

Month of Music - Day 25

I have decided to make the month of December 2010 my "Month of Music", during which I intend to compose and post a new tune every day. My goal is to demystify the process of composing music, since each tune will be composed on the same day it's posted, with fairly minimal time invested. Composing music shouldn't be scary, and shouldn't seem like a daunting task. I'm also hoping that the discipline of composing music daily will improve my composition skills.

You can learn more about the discovery of this amazing find in this Popular Science article.

Filed under  //   Ice Age flute   bamboo flute   composing   flute   month of music   music